Solo Exhibitions

T293, Rome (forthcoming)

Model, Perrotin, New York

Far or hid, Proyectos Monclova, Mexico City

re-er, Galerie Perrotin, Hong Kong, China
Frieze, London, w/ T293 (Collaboration with Alessandro Bava)

John Henderson, Galerie Perrotin, Paris, France 

A Revision, Galerie Perrotin, New York, NY, USA
A Reserve, T293, Rome, Italy

Excerpts, Carl Kostyál, London, UK 
John, Peep-Hole, Milan, Italy
He’s an interesting thinker, Galerie Perrotin, Hong Kong, China 

The man I wanted to marry before I found out about sex, T293, Naples, Italy
12x12: John Henderson, Museum of Contemporary Art, Chicago, IL, USA
The Frugal Genius, Golden Gallery, Chicago, IL, USA

Selected Group Exhibitions

La Febbre, Palazzo Mazzarino, Palermo, Italy

How it's Made, Carl Kostyál, Stockholm, Organized by Matt Williams
Painting / Or / Not, KaviarFactory, Lofoten, Norway

ma l'amor mio non muore, Casa Museo Ivan Bruschi, Arezzo, Italy
Metropolitan Art Society, Beirut, Lebanon
Chicago and Vicinity, Shane Campbell Gallery, Chicago, IL, USA

green postcard, Ibid, London, UK

Per-forming a collection #3, Museo MADRE, Naples, Italy
The Go-Between, Museo di Capodimonte, Naples, Italy

Matt Connors, John Henderson, Lucas Knipscher, Andrea Rosen Gallery, New York 
The Medium of Intensity, Carl Kostyál, Stockholm, Sweden
using a hammer and sea-staring is OK, OSLcontemporary, Olso, Norway 
Happy Birthday Galerie Perrotin / 25 Years, Tripostal, Lille, France
Anamericana, The American Academy, Rome, Italy 
Prague Biennale 6, Prague, Czech Republic 
Galerie Perrotin, Paris, France

Cherry and Martin, Los Angeles, CA, USA 
Cara Domani: Opere dalla collezione Ernesto Esposito, Museo d’Arte Moderna di Bologna, Bologna, Italy
The Mystery Trend, Wallspace, New York, NY, USA
Idea is the Object, D’Amelio Gallery, New York, NY USA
Phantomb Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL, USA
Gaylen Gerber, John Henderson, and DAS INSTITUT with Allison Katz, Family Business, New York, NY, USA
Richard Artschwager / Gaylen Gerber / John Henderson, Golden Gallery, New York, NY, USA

Chopped & Screwed, Tomorrow Gallery @ MKG127, Toronto, Canada
Mute: John Henderson and Justin Swinburne, Reference Gallery, Richmond, VA, USA

Selected Bibliography

Charlesworth, J.J. “Review: green postcard at Ibid., London,” ArtReview, April

Cummins, Cassie. “John Henderson at Galerie Perrotin,”, November 10
Mahany, Alexander. “Painting Without Paint: John Henderson and Contemporary Abstraction,”, October 10
“Top 100 Fall Shows”, Modern Painters, September
Kollack, Ginny. “Review: Frieze New York,” art-agenda, May 9

Trigg, Sarah. “Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process,” New York: Princeton Architectural Press, 2013
Casavecchia, Barbara.”Review: John Henderson at Peep-Hole, Milan,” Frieze, October

Cattelan, Maurizio. “Interview with John Henderson: Self Representation,” Flash Art, October (cover story)
Smith, Roberta. “Art in Review: Idea is the Object,” The New York Times, August 2
Smith, Roberta. “Art in Review: The Mystery Trend,” The New York Times, July 27
Gopnik, Blake. “The Daily Pic: John Henderson hybridizes photos, paint and pixels,” The Daily Beast, July 18
Ise, Claudine. “‘Phantomb Limb’ exhibition at MCA not at all what it sounds like,” Chicago Tribune, June 27

Casavecchia, Barbara. “Absorption and Theatricality: John Henderson,” Mousse Magazine no. 30, October
Grabner, Michelle. ”John Henderson at Golden Gallery,” Artforum, April

Perel, Marissa. ”Review: John Henderson at GOLDEN,” Time Out Chicago, February 24