Solo Exhibitions


Proyectos Monclova, Mexico City (forthcoming, fall)


re-er, Galerie Perrotin, Hong Kong, China

Collaboration with Alessandro Bava at Frieze Art Fair, London, w/ T293


John Henderson, Galerie Perrotin, Paris, France 


A Revision, Galerie Perrotin, New York, NY, USA

A Reserve, T293, Rome, Italy


Excerpts, Carl Kostyál, London, UK 

John, Peep-Hole, Milan, Italy

He’s an interesting thinker, Galerie Perrotin, Hong Kong, China 


The man I wanted to marry before I found out about sex, T293, Naples, Italy

12x12: John Henderson, Museum of Contemporary Art, Chicago, IL, USA

The Frugal Genius, Golden Gallery, Chicago, IL, USA


Selected Group Exhibitions


How it's Made, Carl Kostyál, Stockholm, Organized by Matt Williams (forthcoming, December)

Painting / Or / Not, KaviarFactory, Lofoten, Norway


ma l'amor mio non muore, Casa Museo Ivan Bruschi, Arezzo, Italy

Metropolitan Art Society, Beirut, Lebanon

Chicago and Vicinity, Shane Campbell Gallery, Chicago, IL, USA


green postcard, Ibid, London, UK


Per-forming a collection #3, Museo MADRE, Naples, Italy

The Go-Between, Museo di Capodimonte, Naples, Italy


Matt Connors, John Henderson, Lucas Knipscher, Andrea Rosen Gallery, New York 

The Medium of Intensity, Carl Kostyál, Stockholm, Sweden

using a hammer and sea-staring is OK, OSLcontemporary, Olso, Norway 

Happy Birthday Galerie Perrotin / 25 Years, Tripostal, Lille, France

Anamericana, The American Academy, Rome, Italy 

Prague Biennale 6, Prague, Czech Republic 

Galerie Perrotin, Paris, France


Cherry and Martin, Los Angeles, CA, USA 

Cara Domani: Opere dalla collezione Ernesto Esposito, Museo d’Arte Moderna di Bologna, Bologna, Italy

The Mystery Trend, Wallspace, New York, NY, USA

Idea is the Object, D’Amelio Gallery, New York, NY USA

Phantomb Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL, USA

Gaylen Gerber, John Henderson, and DAS INSTITUT with Allison Katz, Family Business, New York, NY, USA

Richard Artschwager / Gaylen Gerber / John Henderson, Golden Gallery, New York, NY, USA


Chopped & Screwed, Tomorrow Gallery @ MKG127, Toronto, Canada

Mute: John Henderson and Justin Swinburne, Reference Gallery, Richmond, VA, USA


Selected Bibliography


Charlesworth, J.J. “Review: green postcard at Ibid., London,” ArtReview, April


Cummins, Cassie. “John Henderson at Galerie Perrotin,”, November 10

Mahany, Alexander. “Painting Without Paint: John Henderson and Contemporary Abstraction,”, October 10

“Top 100 Fall Shows”, Modern Painters, September

Kollack, Ginny. “Review: Frieze New York,” art-agenda, May 9


Trigg, Sarah. “Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process,” New York: Princeton Architectural Press, 2013

Casavecchia, Barbara.”Review: John Henderson at Peep-Hole, Milan,” Frieze, October


Cattelan, Maurizio. “Interview with John Henderson: Self Representation,” Flash Art, October (cover story)

Smith, Roberta. “Art in Review: Idea is the Object,” The New York Times, August 2

Smith, Roberta. “Art in Review: The Mystery Trend,” The New York Times, July 27

Gopnik, Blake. “The Daily Pic: John Henderson hybridizes photos, paint and pixels,” The Daily Beast, July 18

Ise, Claudine. “‘Phantomb Limb’ exhibition at MCA not at all what it sounds like,” Chicago Tribune, June 27


Casavecchia, Barbara. “Absorption and Theatricality: John Henderson,” Mousse Magazine no. 30, October

Grabner, Michelle. ”John Henderson at Golden Gallery,” Artforum, April

Perel, Marissa. ”Review: John Henderson at GOLDEN,” Time Out Chicago, February 24